Books and Catalogues

Editors Penn Kamp and Richard-Yves Sitoski, Poems in Response to Peril, Anthology, Pendax ISBN 978-1-927734-37-7

Mýkis: New work by Roberta Pyx Sutherland

Author and Editor: Roberta Pyx Sutherland

ISBN: 978-1-7774291-0-2

Attentiveness to Becoming: Roberta Pyx Sutherland’s Inter-Species Art-Making © Bradley A. Clements

Editart-D.Blanco, Editart Rencontres et Dialogues 50 Ans

Anthology, Until magazine Issue 8, Feb 5 2021

BimpeX International Print Catalogue

ISBN 978-0-9782396-9-5

2018

Publisher The Society for Contemporary Works on Paper

Auction Catalogue, Hornby Island Arts Council, September 2018

Poésie muette / Poetry Unspoken

2016

Mini Print Internacional De Cadaqués

2014 Canada No. 34693

CANADA'S RAINCOAST AT RISK

ISBN 978-0-9688432-7-7

2012

P. 28-29

Chrysalide, Roberta Sutherland

Publisher: Gallery Editart Geneva

2012

Cadaque

Mini Print International

De Cadaques

2012

Essay by Richard Planas Camps

37 pages

ISBN:84-95554-27-5

THE WISDOM ANTHOLOGY OF NORTH AMERICAN POETRY

Chapter headings and cover image, 'Cosmic View'

ISBN o-86171-392-3

Wisdom Publications 2005

Edited by Andrew Schelling

Artropolis, Celebrating Contemporary BC Visual Art

2001

Vancouver, BC.

144 pages. pp.

ISBN 1-895371-16-3

A Book of Days: Art For Our Time

A Project of the Volunteer Committee

Art Gallery of Victoria 1998

Page 108

Beyond the Gate

Artists' Journeys to Save the Tsitika Valley and Robson Bight. 1990 Western Canada Wilderness Committee,

Victoria, BC.

Essay by Roberta Livingstone.

48 pages.

ISBN 1-895123-09-7

Liane Davison (Curator)

Roberta Sutherland: Earth Birthing

Catalogue, Art Gallery of Greater Victoria

ISBN 0-88885-099-9

1987

Art In Victoria, 1960/1986

1986 Art Gallery of Greater Victoria, Victoria, BC.

Essay by Nicholas Tuele and Liane Davison.

180 pages.

ISBN 0-88885-093-X

British Columbia's Women Artists

1885 - 1985

Articles and Reviews

Culturium

Roberta Pyx Sutherland: Greater Silence

April 24, 2022

MINDFULLNESS

From Lion's Roar

Special Edition 2019

p. 21

SQUARE ONE

A Journal of Art in Everyday Life

Winter 2019

(pub. Shambala Arts)

Culturium

Roberta Pyx Sutherland: Ensō Variations

October 21, 2018

Uncertainty Club

A Magazine of Zen and the Arts

June, 2018

Review by Paola Iacucci

Director of BAU Institute

Review by Bernard Vischer

President of Cercle des Amis

Review by Nicolas Tuele

Former deputy director and chief curator at the Art Gallery of Greater Victoria

SHAMBHALA SUN

Volume 23 No. 2 2014

(ISSN:1190-7886 )

Pages 8, 58-61

Review by Anne Gilroyed

Executive Director, Nanaimo Art Gallery

Review by Robert Amos
Times Colonist newspaper
November 1, 2013

Grison, Brian, Roberta Pyx Sutherland, In Focus Magazine, November 2009

SHAMBHALA SUN

Volume 14 No. 5 July 2006

(ISSN:1190-7886)

Pages 64-71 Images

Review by Danielle Hogan, Ph.D.

Artist Profile by Anne Hansen

James Bay Beacon

Review by King Anderson

Canadian archivist

SHAMBHALA SUN

Volume 13 No. 6 2005

(ISSN:1190-7886)

Pages 48-51 Images

Illustrating article.

Rinpoche, Talk Thindup, The Buddha Said 4 Things, Shambala Sun, May 2002

Swallow, Derek, Contemporary Art in Victoria: Dynamic and Diverse, InSight (Art Gallery of Greater Victoria), June 1 1989

Review by Brian Grison

Critic, Historian

Review by Lance Olsen

Artist

Roberta Pyx Sutherland: Greater Silence


Zen and the art of the ensō


“At every level, physical, subtle & causal

there are invisible patterns of unity & oneness

interconnecting all the worlds.”


—Hans Jenny, physician & natural scientist


ROBERTA PYX SUTHERLAND is a Canadian artist based in Victoria, British Columbia. From her first solo exhibition at the Victoria Art Gallery in the 1980s, her work has focused on the relationships of cosmic patterning, divine intelligence, the environment and the interconnectivity of all life forms. She has worked for Oxfam in East Africa, where she initiated a ceramic school, as well as studied Zen and calligraphy in Japan and mandala painting in Boudnath, Nepal.


In a previous piece on The Culturium, Roberta detailed her passion for painting and the visual arts and the way in which they help our understanding of the mystical realm. In this month’s guest post, she reiterates her creative process as it manifests through the theme she returns to time and again, namely the sacred and timeless execution of the ensō.


‘Greater Silence’ is an ongoing series of ink paintings that have emerged from previous Zen practice. The brush creates circles that continually repeat, without erasure or measurement. The body focuses on the rhythm of the breath, activating the brush on each exhale. Mutations in the series are created by changes in brush width, ink density and the type of paper used.


When the order of the circle is allowed to be determined by these and other environmental factors, the ‘fields’ become spontaneous with variations that appear as random. These fields of concentrated, repeated gestures create infinite and ambiguous possibilities.


Stability is found within the exhale by consistently following the breath, recording the attention, placed, again and again, fully absorbed in the stroke of brush with ink on paper. Here is the opportunity for opening to a larger context of internal spaciousness as painting becomes a trusted method of meditation.'

Culturium

Roberta Pyx Sutherland: Greater Silence

April 24, 2022

https://www.theculturium.com/roberta-pyx-sutherland-greater-silence/